古銅嵌銀絲饕餮三足香爐

明 16世紀 Ming dynasty 18th century

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鼎形香爐帶雙直耳,腹部嵌銀絲飾饕餮紋,精工奇巧,三長足直立,文震亨在《長物志》卷七討論〈香爐〉的部分,提到「三代、秦、漢鼎 及官、哥、定窯、龍泉、宣窯,皆以備賞鑒,非日用」,清楚點明銅質及陶瓷器香爐的賞鑑性質。而如本件作品,應該也是在整個賞鑑風尚之下的當代作品

Tripod-shaped incense burner owns double straight ears and three long legs upright, inlaiding silver lines with taotie patterns at the belly, showing exquisite workmanship.

Wen Zhenheng in “Changwuzhi" Volume 7 “Censer", mentioned “Three Dynasties, Qin, Han’s Tripod , Guan kiln, Go kiln, Ding kiln, Longquan kiln, and Xuan kiln are all for appreciation, not for daily use”, clearly pointing out bronzes and ceramic incense burners’ appreciation nature. From this, it can be seen that this work should be a contemporary work under the whole appreciation fashion.

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